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I'm not even looking to see how long it's been since I've posted here. The end of school and seeking of licensure simply left no time for Internet dallying. A client cancellation coupled with a desire to process a quick thought re: the end of the Sopranos brings me back for noone knows how long.
*SPOILER ALERT*
Stop reading if you don't want to know what happens in the last Sopranos ep.
Kelley had some grumblings about the end of the series that I think speak directly to what the writers were going for. A major premise of the show has always been that here is this family, barely distinguishable from any other family on the surface. They have dreams, desires and faults just like any other family. They just also happen to be in organized crime. Despite Tony's penchant for violence he and his family are still made out to be the protagonists. Even during the darkest of Tony's days, we are supposed to believe there is a reason. Whether it be to preserve the business, or because of the dysfunctional family he grew up in, or even to put an end to the life of someone constantly turning down the path of self-destruction, the aim always seem to be to promote empathy for Tony and his family. They're the ones we're rooting for to come out on top.
Until the end.
How many of you were, like I was, watching the last few minutes wondering when they were going to get "hit"? Would someone get them all? Would it just be AJ? Would Meadow escape the fate of the family because she was struggling to parallel park? Was it the guy in the hat that would get them? or the guy at the bar?
More importantly, how many were disappointed when (apparently) nothing happened? How many thought, "what??? that can't be it... someone has to die". How many were disappointed, even _angry_ that none of the beloved protagonists was so much as scratched at the end (even AJ escaped glorious anhialation at the hands of his own stupidity). And that's what the writer's were shooting for, I think. A display of how, even though these were your beloved characters, you still wanted to see harm come to one, some or all of them.
Of course, I could be completely overreaching. They may have, even more simply, just wanted to leave things open to the imagination (or more likely, a movie).
P.S. *Insert obligatory complaint about their handling of the psychotherapy back story; an integral part of the series brushed aside carelessly with a haphazard, inexplicable change in direction on the part of Tony's therapist (not to mention the awful, unrealistic depiction of the group of therapists at the dinner party the previous week). *
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